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I expressed new culture that comes from the difference of expression in describing the word “putting in” between the east and the west. Using the language, I created a new language design that gives us unreal feelings with western illumination and Korean container. Sense of suspense was expressed through the type of piled containers and there’s an electric bulb at the bottom of the container. With the language of formative arts, the expression “putting in” was drawn out. As a result, considerate contemplation was elicited through traditional properties of containers and the illumination of foreign culture.

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The lamps consists of a double layered ceramic lampshade revealing a warm light-emitting bone china underskirt, beneath a black, earthenware coat. They are made in the World Capital of Ceramics: Stoke on Trent, celebrating English Heritage and the nation’s pottery industry. Both inner and outer layers are slip cast using the same mould, the outer is then pierced using a profiled punch. They feature red twisted three core cords.

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ROPES is a new series of lamps launched this week at Colette, Paris. The idea behind the lamps was to combine LED-technology with a innovative soft look and textile appeal. Unlit, the lamps provide a graphic statement to their environment. Lit, they diffuse a gentle ambient light.

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Océane Delain and Béatrice Durandard. Their collaboration began when they first met in 2010 during an internship in one of IKEA’s departments in Älmhult, Sweden.  Aware of their similar approach to applied arts, they decided to put their ideas together and to participate in the inaugural edition of ADREAM, a European contest of architecture and design using eco friendly, natural materials. Awarded the first prize in the students category, their lamp collection, AURA, bears witnesses to their wish to combine design and craftsmanship in a project that is respectful of both the environment and people:, the designer, the consumer and the manufacturer.

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1 x 1 is composed of:  a wood stick (made from factory waste) that is weighted at one end, a bendable aluminum rod with a neoprene cover, and an inset low voltage LED lighting strip.  The colored neoprene base comes in the pre-bent ‘support’ ribbon shape, and the purchaser is free to bend the base into their own configurations to personalize the design.  1×1 gives the consumer the opportunity to be co-creator.

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The Dragonfly.MGX pendant light draws inspiration from the curved honeycomb structure of insect eyes and their optical qualities. The fascination for us lies within its complex three dimensional array of photoreceptor cells or in this case light emitting cells.

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A decorative lighting creation with unprecedented technical and aesthetic characteristics – 650 irregular Murano glass spheres, blown and shaped by hand and arranged on four rows of 22 cascades each for a total of 88 (in respect of Chinese numerology in which 8 is a lucky number).  A presence which takes up a total surface area of 82 square metres and is the characterising feature of the bar, becoming its iconographic and identifying element.

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Happy Kiss Lights are reminiscent of another era and play with the reflective and maleable qualities of glass. This line consists of heavy thick-walled pieces, which are hand manipulated to create a creased and singularly individual form for each piece.